...more responsive than instruments from the best of the renowned Luthiers that I had played. Their superb basic tone color and resonance, especially their high overtones presented a harp-like quality. They exhibited a wide dynamic range and followed responsively throughout the range, enabling a vastly broadened interpretive menu... The sustaining quality enabled impressive legato lines. The treble-bass balance enhanced voice leading and unfolding rich harmonies.
— Doug Rice, Classical Guitar Instructor · Preface to Making a Falcate Guitar
Construction Diaries
Fan braced African Blackwood guitar built after attending Jeff Elliott's voicing class. Bracing is Jeff's modification of a Hauser 42 with an open harmonic brace.
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My first classical using Gore/Gilet's Contemporary Acoustic Design and Build concepts — falcate bracing, bolt-on neck, 20" radius fretboard, and a truss rod.
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Commissioned by my classical guitar instructor. A refinement of the first falcate classical — raised resonant top frequency to better support the treble E. Doug switched from his mid-70s Kohno 30.
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A traditional Hauser-inspired look built on a solera with a Spanish neck — but with falcate bracing inside. Lutz spruce top with Brazilian rosewood back and sides.
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Looks like a standard classical but hides contemporary features inside — bolt-on neck, falcate bracing, truss rod, radiused fretboard. One of my nicest sounding classicals.
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Commissioned 8-string nylon crossover with venetian cutaway, 14-fret body join, 660mm scale, falcate braced with a live back.
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A commission where the client was deeply involved in selecting the tonewoods. Falcate braced contemporary classical, still in progress — follow along on the build blog.
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My first Flamenco Blanca, built following Paco Chorobo of Chorobo Guitars' online class through Robbie O'Brien's site — the guitar featured in the homepage video.
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